We launch and sustain artists (who are women) of assertive imagination--individually, as collaborators, and as a community--and advance their exuberantly theatrical new plays.
New Georges, founded in 1992, is a strategically small
company with a national reputation as a vigorous home for
theatrically adventurous artists (who are women*). Through
productions of highly theatrical new plays, several varieties
of play and artist development programs, and our indispensable workspace, The Room, we support the largest
ongoing working community of women theater artists
in New York City.
By the numbers:
47 world or New York premieres of new American plays
21 new-play commissions (18 produced)
11 festivals of new work
210 affiliated artists (playwrights, directors, actors, designers)
45 artists served in core programs annually
Countless new works developed in The Room Honors for New Georges, its plays and its people include
3 Obie Awards, The Lilly Award, the Susan Smith Blackburn Prize and the Kesselring Prize
Current activities: – a producing season, tending to consist of two world
– the provision of subsidized workspace for affiliated artists
in The Room, our workspace
– The New Georges Jam, a collaboration-based “performance gym” for early-career theatermakers
– The Audrey Residencies, a year-long program that pairs
three weeks spent making or developing a new-play
project in The Room with a community component that brings the full resident group together
– New Georges Supported Productions, for which we
provide mentorship, resources and an institutional platform
to affiliated artists producing their work independently
– additional new play and community development in The Room and out, including deadline readings, playwright/
director jumpstart and project-specific space grants.
*and gender-nonconforming artists
New Georges is committed to diversity, equity and inclusion
in its values and programming.
recent funders include The Andrew W. Mellon Foundation
New York Theater Program, The Howard Gilman Foundation, Emma A. Sheafer Charitable Trust, New York Community Trust, Beech Street Foundation, The Shubert Foundation, The Venturous Theater Fund of Tides Foundation, Time Warner Foundation, The Mary Duke Biddle Foundation, National Endowment for the Arts, NYC Department of Cultural Affairs, New York State Council on the Arts, Axe-Houghton Foundation, The A.R.T./New York Creative Space Grant Supported by the Andrew W. Mellon Foundation, The Edith Lutyens and Norman Bel Geddes Design Enhancement Fund,Off Broadway Angels, John Golden Fund, Barbara Bell Cumming Foundation, The Lucille Lortel Foundation and Dramatists Guild Fund.
New Georges is a member of the Alliance of Resident Theatres/New York (ART/New York), the service organization for New York City’s not-for-profit theatres; Theatre Communications Group (TCG), the national service
organization; and a participant in The Indie Theater Fund, a foundation that supports the independent theater community in New York City.
page header & front page photo credits: Snapshot: Christina Kirk, Gibson Frazier, Monique Vukovic, Judith Greentree in GOD’S EAR — Jim Baldassare; Bigger Picture: Kristin Griffith in STRETCH (a fantasia) — Jim Baldassare; Projects/Events: Christina Pumariega, Carolyn Baeumler, Teresa Avia Lim in ALICEGRACEANON — Marcelo Anez; Our Community: Mike Shapiro, Ethan Hova in (NOT) WATER — Marina McClure; Scrapbook: Gretchen Lee Krich, Monica Appleby, April Matthis in ANNA BELLA EEMA — Jim Bernfield; Work With Us: Bobby Moreno, Lindsay Rico in ALLIGATOR — Heather Phelps-Lipton; Hear From Us: Keilly McQuail, Seth Clayton in HEARTBREAK — Sue Kessler; Support Us: Christian Felix, Jessica Almasy, Brooke Ishibashi, Mia Katigbak in A BEAUTIFUL DAY IN NOVEMBER ON THE BANKS OF THE GREATEST OF THE GREAT LAKES — Heather Phelps-Lipton; Rent the Room: Dakota Granados, Julian Elijah Martinez in rehearsal for ALLIGATOR.
tdfStages tweets: “When we made this film about the exciting work at @newgeorges, we needed Pop Art style to match their pizzazz.” Click here to watch! tdf made this film as part of their “Meet the Theatre” series, directed by … Continue reading →