2 new plays steeped in sound “refresh theatricality”…
thru SUNDAY only!

BUY TICKETS NOW!
MORE ABOUT SOUND HOUSE
MORE ABOUT THIS IS THE COLOR DESCRIBED BY THE TIME
LEARN MORE: “SOUND REASONS!” SOUND REP IN AMERICAN THEATRE
and IN THE BROOKLYN RAIL 

AND “a bracing reminder of what most other shows do not do”:
a Critic’s Notebook in The New York Times

New Georges presents
two lyrical new plays steeped in SOUND
using sound to alter the focus of perception
and sculpt story in intimate and astonishing ways.

Thru March 4
only
running in staggered rep
at The Flea!

See ’em both on double feature days!
February 25, March 2 & 3!

Dinner in between?  Our restaurant partner 1803, right around the corner at Reade and Church streets, is serving up a special between-shows New Orleans-style $40 prix fixe!  Just show your ticket or program.  (And 15% off with your ticket, program or e-mail confirmation before or after any performance!)

 

Enter SOUND HOUSE, a “multidimensional object” inspired by the haunted sound worlds of British composer Daphne Oram, inventor of Oramics, a multi-strand sound-generating machine that preceded the synthesizer.  Sound functions as experiential road map here, carving out story amid distortions of time and space as Constance Sneed, Daphne’s present-day alter ego, investigates what it is to be invisible.

SOUND HOUSE
by Stephanie Fleischmann
directed by Debbie Saivetz
with Victoria Finney, James Himelsbach, Susanna Stahlmann
sound design by Tyler Kieffer & Brandon Wolcott
set design by Marsha Ginsberg      costume design by Olivera Gajic
lighting design by Kate McGee      movement by Brendan Spieth
assistant director Aaron Ardisson   additional music Christina Campanella
stage management Jhanae Bonnick, Seth Kieser

9 PERFORMANCES ONLY!  Click a date for a direct line to tickets!
2/20 at 7pm; 2/21 at 7pm; 2/24 at 2pm; 2/24 at 7pm;
2/25 at 2pm; 3/1 at 7pm; 3/2 at 3pm; 3/3 at 7pm; 3/4 at 2pm

At THIS IS THE COLOR DESCRIBED BY THE TIME, your very own headphones drop you inside the imagined unconscious of avant-garde writer Gertrude Stein, pursuing  her everyday routine in France as World War II erupts all around her.  In Gertrude’s constantly shifting mind, Alice B. Toklas, Thornton Wilder, and Vichy official Bernard Faÿ flutter in and out of the frame.

THIS IS THE COLOR DESCRIBED BY THE TIME
conceived & directed by Lily Whitsitt
created by Door 10
with Stephanie Roth Haberle, Christina Rouner, Ean Sheehy, Ben Williams
sound design by Ben Williams     set design by Amy Rubin
costume design by Alice Tavener    lighting design by Reza Behjat
dramaturg Morgan Jenness     associate director Jim Dawson
additional sound Christina Campanella
Door 10 producer Sarah Peterson
stage management Elizabeth Emanuel, Molly Shea

9 PERFORMANCES ONLY!  Click a date for a direct line to tickets!
2/14 at 7pm; 2/22 at 7pm; 2/23 at 3pm; 2/23 at 8pm;
2/25 at 7pm; 2/27 at 7pm; 2/28 at 7pm; 3/2 at 8pm; 3/3 at 2pm

for SOUND/COLOR rep
props design JB Douglas   assistant lighting design Cha See
production manager Matthew Cecchini   changeover captain Colin Gold
graphic design  Jaime Vallés/AJV Media    press rep Emily Owens PR

in The Sam theater at
The Flea
20 Thomas Street
(between Church & Broadway)

$35 general admission
$55 premium tickets (reserved!)
limited number of $15 rush tickets available at every performance

Click here for our nearby restaurant guide, 1803 and so much more!

New Georges is a 2017-18 Anchor Partner at The Flea.

 

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